Wounded Healer Cruft (akin)
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Wounded healer is an archetypal dynamic that psychologist Carl Jung used to describe a phenomenon that may take place, both positively and negatively, in the relationship between analyst and analysand.
For Jung, "a good half of every treatment that probes at all deeply consists in the doctor's examining himself...it is his own hurt that gives a measure of his power to heal. This, and nothing else, is the meaning of the Greek myth of the wounded physician." Latterly, the term has expanded from Jung’s original concept to cover the study of any professional healer who has been wounded, including counselors, psychotherapists, doctors and nurses.
In Greek mythology, the centaur Chiron was known as the "Wounded Healer", having been poisoned by one of Hercules's arrows; but because he wasn't able to heal himself he suffered thereafter from an incurable wound.
It is also possible that Jung derives the term "wounded healer" from the ancient Greek legend of Asclepius, a physician who in identification of his own wounds creates a sanctuary at Epidaurus in order to treat others. By contrast, Apollo Medicus subverted the folklore of the wounded healer, in so far as it was not his own suffering which empowered him to heal.
— Wounded healer. (2013, January 26). In, Wikipedia, The Free Encyclopedia. Retrieved 05:36, February 10, 2013, from http://en.wikipedia.org/w/index.php?title=Wounded_healer&oldid=535032106
CRUFT: Art from Digital Leftovers
I make work that spans computational art, performance, installation, painting and object-making, using collage, remix, automation, indeterminacy, and randomness to bear upon the computer and the Internet as machines that regulate and restrict just as much as they can be used to disrupt and resist dominant codes of seeing and being.
My art practice reflects on our relationship to media technologies, especially surveillance and mind control, and in the process contemplates what a post-human art may look like. Organized under the umbrella concept of Cruft, I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it.
Digital collages called Cruft are created by scraping the web using computational algorithms that remix mainstream media sites like CNN with social networks of individuals, and reproduce, in mimicry of the 24/7 media cycle, the narrow choices permitted in public discourse. In another series of recent work, Machine Vision, I recombine footage from surveillance cameras with other media, to explore the relationship between war, surveillance, and automation within an overall machine aesthetic.