STUB CRUFT (rush limbaugh redux) LEAST WHEN PERMITTED Wednesday June 15 2016 part 1 of 3 amazing amazing system now everything now amazing system now everything LEAST amazing amazing amazing amazing Orlando LEAST everything part 2 of 3 they red red they red red apparent abiding apparent they red red apparent abiding WHEN they red they red they red they law WHEN red abiding part 3 of 3 poll stopping stopping poll stopping World said acquiring said poll stopping World said acquiring PERMITTED poll stopping poll stopping poll stopping poll everybody PERMITTED stopping acquiring
Stub Cruft (rush limbaugh redux)
This algorithm begins by downloading and editing the daily quotes from Rush Limbaugh's talk radio show, and a selection of individual words are composed into the Stub Cruft. A computer synthesised voice gives a daily reading of the Stub Cruft recorded as an MP3 file and documented as a text file and an audio file. The resulting collaborative poem between myself and Rush Limbaugh uses repetition to emphasis the vocabulary used on his radio program, while at the same time the computer voice struggles and sometimes fails to correctly pronounce the words. The resulting poetry fragment then requires the viewer to fill in the gaps to actively complete the overall narrative.
CRUFT: Art from Digital Leftovers
My work includes traditional art practices in drawing, painting, printmaking, and sculpture. Recent work includes generative art, performance, installation, and network based art. My arts practice explores the Internet not just as a distribution platform but organized under the umbrella concept of Cruft. I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it. Computer code is automated and runs on a server which at specified times goes out to the Internet and scrapes source material from the web to then produce a form of digital collage. Each auto-generated Cruft is the digital residue created from the information flowing through the Internet at that moment. This work is then automatically uploaded to my web site for distribution to the viewing public. My work on Cruft has encouraged me to think about the nature of the unique art object and it’s dematerialization, from atoms to bits, allowing for potentially infinite copies.
Misdirection as Mass Deception
Like the magician performing sleight-of-hand to deceive and misdirect the eye, those in power tell us where to look and what to think. The mass media provides the stage where the deception unfolds focusing public attention with emotion and fear. Having been in lower Manhattan on September 11th 2001, I experienced first hand the collision of terrorism and warfare into the visual, resulting in our network connected screens compressing the time between living and documenting an event. The media showed images of the planes impact and the buildings collapse in a repetitive loop. Our screens became weapons of terror, the system of representation was hijacked and we were forced to relive those terrifying moments by viewing images presented as a never ending present. In 2003, as the United States invaded Iraq, I began to notice how the media presented images that contributed to fear and consensus, and as the images disappeared from view, I wondered what became of these digital leftovers and I then started creating auto-generated Cruft.
Six October Days
A selection of Stub Cruft from October, 2010
printed as an unlimited edition artist book.
View Six October Days