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Mandala Cruft (Occam's razor)

This cruft algorithm extracts an image from the CNN home page once every eight hours. The image is then processed into a mandala, with the addition of the original source image and caption. CNN presents a constant stream of images of violence, potential terrorism, and the imminent hurricane or earthquake, as well as the daily dose of political polarization. As an artist I want to take these powerful source images and convert them into equally powerful images of peace. I hope you enjoy them, while also being reminded of the transformation from which they were created.

Mandala

From Wikipedia, the free encyclopedia
Maṇḍala is a Sanskrit word that means "circle". In the Buddhist and Hindu religious traditions their sacred art often takes a mandala form. The basic form of most Hindu and Buddhist mandalas is a square with four gates containing a circle with a center point. Each gate is in the shape of a T.

In various spiritual traditions, mandalas may be employed for focusing attention of aspirants and adepts, as a spiritual teaching tool, for establishing a sacred space, and as an aid to meditation and trance induction. According to the psychologist David Fontana, its symbolic nature can help one "to access progressively deeper levels of the unconscious, ultimately assisting the meditator to experience a mystical sense of oneness with the ultimate unity from which the cosmos in all its manifold forms arises." The psychoanalyst Carl Jung saw the mandala as "a representation of the unconscious self," and believed his paintings of mandalas enabled him to identify emotional disorders and work towards wholeness in personality.

In common use, mandala has become a generic term for any plan, chart or geometric pattern that represents the cosmos metaphysically or symbolically, a microcosm of the Universe from the human perspective. [http://en.wikipedia.org/wiki/Mandala]

Occam's Razor

From Wikipedia, the free encyclopedia
The principle is often summarized as "simpler explanations are, other things being equal, generally better than more complex ones." In practice, the principle is usually focused on shifting the burden of proof in discussions. That is, the razor is a principle that suggests we should tend towards simpler theories until we can trade some simplicity for increased explanatory power. Contrary to the popular summary, the simplest available theory is sometimes a less accurate explanation. Philosophers also add that the exact meaning of simplest can be nuanced in the first place.

Occam's razor is attributed to the 14th-century English logician, theologian and Franciscan friar Father William of Ockham (d'Okham) although the principle was familiar long before. The words attributed to Occam are "entities must not be multiplied beyond necessity" (entia non sunt multiplicanda praeter necessitatem), although these actual words are not to be found in his extant works. The saying is also phrased as pluralitas non est ponenda sine necessitate ("plurality should not be posited without necessity"). To quote Isaac Newton, "We are to admit no more causes of natural things than such as are both true and sufficient to explain their appearances. Therefore, to the same natural effects we must, so far as possible, assign the same causes." [http://en.wikipedia.org/wiki/Occam%27s_razor]

CRUFT: Art from Digital Leftovers

I make work that spans computational art, performance, installation, painting and object-making, using collage, remix, automation, indeterminacy, and randomness to bear upon the computer and the Internet as machines that regulate and restrict just as much as they can be used to disrupt and resist dominant codes of seeing and being.

My art practice reflects on our relationship to media technologies, especially surveillance and mind control, and in the process contemplates what a post-human art may look like. Organized under the umbrella concept of Cruft, I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it.

Digital collages called Cruft are created by scraping the web using computational algorithms that remix mainstream media sites like CNN with social networks of individuals, and reproduce, in mimicry of the 24/7 media cycle, the narrow choices permitted in public discourse. In another series of recent work, Machine Vision, I recombine footage from surveillance cameras with other media, to explore the relationship between war, surveillance, and automation within an overall machine aesthetic.