Load (Limbaugh) Cruft
This CRUFT is the result of my consuming and digesting the words of Rush Limbaugh as well as the associated images offered up by the Internet. This algorithm begins by downloading daily quotes from Limbaugh's talk radio show, and passing his individual words as search terms into Altavista Image Search. The results are processed using a genetic algorithm, creating a daily cruft of incendiary text and image.
Cook On Cannabilism
This custom of eating their enemies slain in battle (for I firmly believe they eat the flesh of no others) has undoubtedly been handed down to them from earliest times; and we know it is not an easy matter to wean a nation from their ancient customs, let them be ever so inhuman and savage; especially if that nation has no manner of connexion or commerce with strangers...
...For, said they, ‘Can there be any harm in eating our enemies, whom we have killed in battle? Would not those very enemies have done the same to us?’ I have often seen them listen to Tapia with great attention, but I never found his arguments have any weight with them. When Oedidee and several of our people showed their abhorrence of it, they only laughed at them.
~ Captain Cook
A General History and Collection of Voyages and Travels — Volume 14 by Robert Kerr
American Dream Cycle (Payload)
The code and concepts used in this work was originally developed for American Dream Cycle (Payload), presented at the Generative Art International Conference, GA2009, at the Politecnico di Milano University, Milan, Italy in December of 2009.
Load (Obama) Cruft
Similar algorithms and concepts were used to create Load (Obama) Cruft, which consumes and digests the works of President Barak Obama.
CRUFT: Art from Digital Leftovers
My work includes traditional art practices in drawing, painting, printmaking, and sculpture. Recent work includes generative art, performance, installation, and network based art. My arts practice explores the Internet not just as a distribution platform but organized under the umbrella concept of Cruft. I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it. Computer code is automated and runs on a server which at specified times goes out to the Internet and scrapes source material from the web to then produce a form of digital collage. Each auto-generated Cruft is the digital residue created from the information flowing through the Internet at that moment. This work is then automatically uploaded to my web site for distribution to the viewing public. My work on Cruft has encouraged me to think about the nature of the unique art object and it’s dematerialization, from atoms to bits, allowing for potentially infinite copies.
Misdirection as Mass Deception
Like the magician performing sleight-of-hand to deceive and misdirect the eye, those in power tell us where to look and what to think. The mass media provides the stage where the deception unfolds focusing public attention with emotion and fear. Having been in lower Manhattan on September 11th 2001, I experienced first hand the collision of terrorism and warfare into the visual, resulting in our network connected screens compressing the time between living and documenting an event. The media showed images of the planes impact and the buildings collapse in a repetitive loop. Our screens became weapons of terror, the system of representation was hijacked and we were forced to relive those terrifying moments by viewing images presented as a never ending present. In 2003, as the United States invaded Iraq, I began to notice how the media presented images that contributed to fear and consensus, and as the images disappeared from view, I wondered what became of these digital leftovers and I then started creating auto-generated Cruft.