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Created by automated computer programs. Source: Transnationale.org & KindGirls.com

great transnational nude cruft

Great Transnational Nude Cruft

This cruft algorithm selects the name of a large corporation from a listing on Transnationale.org, and passes that name as a search term into Altavista Image Search. The search results of corporate imagery are then composited with a national flag downloaded from WikiMedia, as well as a recent image of a nude female from KindGirls.com to generate this cruft image.

...the point of public relations slogans like "Support Our Troops" is that they don't mean anything [...] that's the whole point of good propaganda. You want to create a slogan that nobody is gonna be against and I suppose everybody will be for, because nobody knows what it means, because it doesn't mean anything. But its crucial value is that it diverts your attention from a question that does mean something, do you support our policy? And that's the one you're not allowed to talk about.

Noam Chomsky. Interviewed by unidentified interviewer. WBAI. January 1992
http://www.chomsky.info/interviews/199201--.htm

Robert Spahr interviewed regarding the 'Great Transnational Nude.'

What is CRUFT?

cruft /kruhft/ [back-formation from {crufty}]
1. n. An unpleasant substance. The dust that gathers under your bed is cruft; the TMRC Dictionary correctly noted that attacking it with a broom only produces more.
2. n. The results of shoddy construction.
3. vt. [from `hand cruft', pun on `hand craft'] To write assembler code for something normally (and better) done by a compiler (see {hand-hacking}).
4. n. Excess; superfluous junk; used esp. of redundant or superseded code.
5. [University of Wisconsin] n. Cruft is to hackers as gaggle is to geese; that is, at UW one properly says "a cruft of hackers".
The Jargon File, version 4.4.7   http://catb.org/jargon/html/C/cruft.html

I am interested in how the ideas and images presented to us by the media affect our world view. As the ever present cable news cycle pushes a daily message of fear, filled with political polarization; domestic and foreign terrorism; recent kidnapped white girls; celebrity scandals; and the imminent threat of hurricane, earthquake or flood, I began to think about how these digital images and text operated, one day influencing our daily discourse, the next day vanishing without a trace. Digital leftovers reminded me of redundant computer programming. Code that was once useful, but later forgotten and obsolete.

For my current work I have borrowed the computer hacker term 'Cruft', defined as an unpleasant substance; excess; superfluous junk; and redundant or superseded computer code. To create this work I call CRUFT, I write simple algorithms that an automated computer system follows. The instructions outline what websites to target, and the system then downloads selected images and text, which are then used as source material, and remixed to create new artwork on a schedule that imitates the 24 hour cable news cycle.