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Declination Cruft

This cruft algorithm extracts images from the Fox News home page once every eight hours. The headline and story text is parsed, and an image from this page is then manipulated into a dense blending of text and image. Viewing the archive one can see the limited range of changing news stories, seeing clearly where Fox News wants us to focus our thinking. Just like the magician's misdirection, we focus on one hand, so we are no longer thinking about what the other hand is doing.

Magnetic Declination
Magnetic declination or variation is the angle on the horizontal plane between magnetic north (the direction the north end of a compass needle points, corresponding to the direction of the Earth's magnetic field lines) and true north (the direction along a meridian towards the geographic North Pole). This angle varies depending on position on the Earth's surface, and changes over time.

The magnetic declination in a given area may (most likely will) change slowly over time, possibly as little as 2–2.5 degrees every hundred years or so, depending upon how far from the magnetic poles it is. For a location closer to the pole like Ivujivik, the declination may change by 1 degree every three years. This may be insignificant to most travellers, but can be important if using magnetic bearings from old charts or metes (directions) in old deeds for locating places with any precision.
Earth_Magnetic_Field_Declination_from_1590_to_1990

https://en.wikipedia.org/wiki/Magnetic_declination

CRUFT: Art from Digital Leftovers

My work includes traditional art practices in drawing, painting, printmaking, and sculpture. Recent work includes generative art, performance, installation, and network based art. My arts practice explores the Internet not just as a distribution platform but organized under the umbrella concept of Cruft. I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it. Computer code is automated and runs on a server which at specified times goes out to the Internet and scrapes source material from the web to then produce a form of digital collage. Each auto-generated Cruft is the digital residue created from the information flowing through the Internet at that moment. This work is then automatically uploaded to my web site for distribution to the viewing public. My work on Cruft has encouraged me to think about the nature of the unique art object and it’s dematerialization, from atoms to bits, allowing for potentially infinite copies.

Misdirection as Mass Deception
Like the magician performing sleight-of-hand to deceive and misdirect the eye, those in power tell us where to look and what to think. The mass media provides the stage where the deception unfolds focusing public attention with emotion and fear. Having been in lower Manhattan on September 11th 2001, I experienced first hand the collision of terrorism and warfare into the visual, resulting in our network connected screens compressing the time between living and documenting an event. The media showed images of the planes impact and the buildings collapse in a repetitive loop. Our screens became weapons of terror, the system of representation was hijacked and we were forced to relive those terrifying moments by viewing images presented as a never ending present. In 2003, as the United States invaded Iraq, I began to notice how the media presented images that contributed to fear and consensus, and as the images disappeared from view, I wondered what became of these digital leftovers and I then started creating auto-generated Cruft.