Cliff Dwellers (Drone Study #4)
A series of images captured from a CCTV camera in New York City are processed to produce a ghost like animation.
Native American cliff dwellers were at the peak of their technological development circa the 12th and 13th centuries when they appear to have left quietly... Some theories include climate change, prolonged drought, topsoil erosion, de-forestation, and hostility from new arrivals. Do you remember Fax Machines, Gaming Consoles, Personal Computers... Are you still on Facebook?
The Cliff Dwellers Cruft images are studies for the larger project Machine Vision: Images of Drone Landscapes .
CRUFT: Art from Digital Leftovers
I make work that spans computational art, performance, installation, painting and object-making, using collage, remix, automation, indeterminacy, and randomness to bear upon the computer and the Internet as machines that regulate and restrict just as much as they can be used to disrupt and resist dominant codes of seeing and being.
My art practice reflects on our relationship to media technologies, especially surveillance and mind control, and in the process contemplates what a post-human art may look like. Organized under the umbrella concept of Cruft, I take apart, juxtapose, recycle, and interrupt the relentless flow of media to reveal a relationship in which we don't simply consume media, but are also consumed by it.
Digital collages called Cruft are created by scraping the web using computational algorithms that remix mainstream media sites like CNN with social networks of individuals, and reproduce, in mimicry of the 24/7 media cycle, the narrow choices permitted in public discourse. In another series of recent work, Machine Vision, I recombine footage from surveillance cameras with other media, to explore the relationship between war, surveillance, and automation within an overall machine aesthetic.