History of New Media -- Spring '16
Location: Comm 1018
Time: M W 11:00am-12:15pm
Professor: Robert Spahr
Office: MCMA 1121E
M T W 1:00pm-3:00pm
& by appointment
Teaching Assistant: Julie Martin
Morris Library Cafe - W @ 12:30pm-1:30pm
& by appointment
Course Syllabus Location: http://www.robertspahr.com/hnm/
History of New Media - 26105 - CP 361 - 001
History of New Media - 27360 - CP 470A - 002
Wardrip-Fruin, Noah & Montfort, Nick. The New Media Reader. Cambridge, MA: MIT Press
Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press
Packer, Randall & Jordan, Ken. Multimedia From Wagner to Virtual Reality. New Yok, NY, W. W. Norton & Company Online: Multimedia From Wagner to Virtual Reality
Bolter, Jay David & Grusin, Richard. Remediation: Understanding New Media. Cambridge, MA: MIT Press
This course is an overview of the pioneering artists and scientists who have brought about the dissolution of boundaries that have traditionally existed between the artistic and technological disciplines. We will survey the work and ideas of artists who have explored new interactive and interdisciplinary forms, as well as engineers and mathematicians who have developed information technologies and influential scientific and philosophical ideologies that have influenced the arts. Seminal artistic movements and genres will be explored, such as: the Futurists, Bauhaus, kinetic sculpture, Happenings, video art, electronic theater, etc.
We will also investigate new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and how new media works create the illusion of reality, address the viewer, and represent space. We will also look at categories and forms unique to new media, such as interface and database.
Students will develop an understanding of new media through in-depth analysis of historical trends and seminal work in the media arts and information sciences, as well as an analysis of the language and aesthetics unique to new media.
Introductions, Course Overview, What is New Media?
Lecture - Speedviewer's Guide to New Media
Please email a short introduction of yourself to firstname.lastname@example.org, talking about your interests, and why you are here studying media.
Darth Vader Feels Blue, 1:46
Gotye - Somebody That I Used to Know - Old School Computer Remix, 04:04
Gotye - Somebody That I Used To Know (feat. Kimbra) - official video, 4:04 (jump to 1:45)
'The Star Wars That I Used To Know' - Gotye 'Somebody That I Used To Know' Parody, 05:08
Lead Breakfast | Pogo , 03:37
Meet Amazon's robot army 01:39
BigDog Overview (Updated March 2010), 03:25
GNU User Lib video, 2:53
The Great Gatsby (2013) Visual Effects Before & After Clip [HD]
Laura Poitras: NYTimes, The Program, 08:27 Aug 22, 2012
Casey Neistat: Snapchat Murders Facebook, 5:46
Sebastian Deterding: What your designs say about you, 12:24
Lecture - Futurist & Dada
Luigi Russolo: The Art of Noises, July 1, 1913. (Listen to Intonarumori)
F.T. Marinetti, et al: The Futurist Cinema, November 15, 1916.
F.T. Marinetti, et al: The Futurist Synthetic Theatre, February 18th, 1915.
Tzara: Dada Manifesto, 1918
Duchamp: The R. Mutt Case - 1917, The Creative Act - 1957, Apropos of "ReadyMades" - 1961
#HashTagExercise is due
Reconstruction of the Futurist Intonarumori by Russolo
Hugo Ball 'Karawane Score', 1916
Hugo Ball's Karawane performed by Trio Exvoco
Raoul Hausmann 'Soundrel', 1919
Vertov's Man with a Movie Camera (Alloy Orchestra) 1929, 1:06:40
Joseph Cornell's "Rose Hobart", 1936 (Part 1) 09:13
Joseph Cornell's "Rose Hobart", 1936 (Part 2) 09:30
Steve Reich - Clapping Music, 4:02
Steve Reich 'Piano Phase' (1/2), 6:31
Steve Reich: Come Out, 13:09
Robert Rauschenberg - Erased De Kooning, 04:27
John Cage - About Silence, 04:19
As We May Think - Vannevar Bush, NMR pp. 35-47. ('As We May Think' is also available online.)
Computing Machinery and Intelligence - Alan Turing, NMR pp. 49-64.
Men, Machines, and the World About - Norbert Wiener, NMR pp. 65-72.
First Computer Bug - Grace Hopper, 1947
Eisenhower warns us of the military industrial complex, 1961
Kevin Kelly on the next 5,000 days of the web, 19:34, Dec 2007
Kevin Slavin: How algorithms shape our world, 15:23 Jul 2011
Feb 01 / Feb 03
Proposal for a Universal Electronic Publishing System and Archive (from Literary Machines) - Theodor H. Nelson, NMR pp. 441-462.
Personal Dynamic Media - Alan Kay & Adele Goldberg, NMR pp. 391-404.
From Augmenting Human Intellect: A Conceptual Framework - Douglas Engelbart, NMR pp. 93-108.
From A Thousand Plateaus - Gilles Deleuze and Felix Guattari, NMR pp. 405-409.
Original announcement of Douglas Engelbart's 1968 Demo
Douglas Engelbart: the first computer mouse, Dec 09, 1968
Douglas Engelbart: 1968 Demo - 1 of 9, Dec 09, 1968
Alan Kay shares a powerful idea about ideas, Mar 2007
Clay Shirky: Why SOPA is a bad idea, 14:00
Kodak’s 1975 Model Digital Camera, NYTimes.com, August, 2010
Feb 08 / Feb 10
Lecture - Bauhaus & John Cage & Marshall McLuhan
'Theater, Circus, Variety,' Theater of the Bauhaus - Moholoy-Nagy, 1924
Experimental Music - John Cage, 1957
The Galaxy Reconfigured - Marshall McLuhan, NMR pp. 193-202
The Medium is the Message - Marshall McLuhan, NMR pp. 203-209
Schlemmer: Triadic Ballet, 1927 2:11
Maholy-Nagy: Light-Space-Modulator., 1922-30 1:04
John Cage: About Silence, 1991 4:17
John Cage: 4'33'' for piano, 1952 5:41
John Cage: Prepared Piano 1:12
John Cage - Water Walk, 1960 9:23
Marshall McLuhan Interview, 1967 6:32
Marshall Mcluhan Full lecture: The medium is the message - 1977 part 1 v 3 14:23
Lecture - Happenings & Fluxus
'Happenings' in the New York Scene - Allan Kaprow, NMR pp. 83-86.
Jim Dine: A Statement: The Car Crash Happening
Claes Oldenburg: I Am For An Art, 1961
The Cut-Up Method of Brion Gysin - William S. Burroughs, NMR pp. 89-91.
Six Selections by the Oulipo - NMR pp. 147-189 (much of this is a paper poetry machine).
John Cage - Variations V, 1965, 2:23
Variations V, (further reading)
Inside New York's Art World: Jim Dine (specifically 3-8:00min) 28:15
Claes Oldenburg | The Store 2:34
Claes Oldenburg: Upside Down City (1962) 3:34
Allan Kaprow - How to Make a Happening, 24:51
Claes Oldenburg Reads: I Am For An Art
Robert Whitman: Performances From The 1960s -Part 2- (1963-1666) 36:28
Robert Whitman: Performances From The 1960s -Part 3- (1963-1666) 27:07
Robert Whitman: Performances From The 1960s -Part 4- (1963-1666) 16:52
Nam June Paik Buddah 1974, 0:40
Three Event Scores by George Brecht
Drip Music - George Brecht (Fluxus) 1:59
Yoko Ono "Cut Piece" Performance Art, 1965, 2:28
Wolf Vostell - Sun in Your Head (Television Decollage), 1963, 7:08
George Brecht: Chance-Imagery
Beuys: How to Explain Pictures to a Dead Hare, 1965, 0:53
Joseph Beuys : I like America and America likes me, 1974.
Richard Foreman: Scenes from wake up mr sleepy, your unconcious mind is dead 3:01
Laurie Anderson - O Superman, 1981, 8:26
Language of New Media, The Interface
Introduction & Chapter 1, LNM pp. 2-61.
Chapter 2, LNM pp. 62-115.
Blade Runner theatrical trailer, 1982
'1984' Apple Macintosh Commercial (Full advert, Hi-Quality), 1984
Eli Pariser: Beware online "filter bubbles", 2011
Lecture - Experiments in Art and Technology (E.A.T.)
Introduce ideas of Live Art / Installation Experiment
The Construction of Change - Roy Ascott, NMR pp. 127-132.
Four Selections by Experiments in Art and Technology - Billy Kluver, NMR pp. 211-226.
Cybernated Art - Nam June Paik, NMR pp. 227-229.
From Software - Exhibition at the Jewish Museum, 1970, NMR pp. 247-257.
Jean Tinguely - Homage to New York (1960), 05:34
Experiments in Art and Technology (E.A.T): Nine Evenings , 09:40
Charlotte Moorman plays the TV Cello (1984) , 03:50
Nam June Paik: T.V. Bra Charlotte Moorman 1975 Swatch, 00:28
Linoleum (excerpt) Robert Rauschenberg , 1967, 04:07
Experiments in Live Art and Installation
We will workshop and explore issues of live art and installation using the "digital hand / trace / presence / evidence" in an experiment in the creation of work that is a journey focusing on the process of creation rather than the product. We will be focusing on the ephemerality and temporality of performance and space.
Students please bring sounds, images and objects, to do a live art performance / install. We will meet in our regular classroom, please arrive promptly by 11am. Details will be discussed in class.
Lecture - Pop Art / Warhol Films
Andy Warhol: Warhol in His Own Words
Man-Computer Symbiosis - J.C.R. Licklider, NMR pp. 73-82.
Sketchpad: A Man-Machine Graphical Communication Systems - Ivan Sutherland, NMR pp. 109-126.
Alan Kay presenting Ivan Sutherland's Sketchpad 03:46
Ivan Sutherland : Sketchpad Demo (1/2) 10:35
Warhol Interview (2 min)
andy warhol's silver factory 08:06
Andy Warhol - Eat (1964) sample
Andy Warhol - Empire (1964) sample
Andy Warhol on Pop Art 00:36
Andy Warhol - Blow Job (1963) 08:00
Andy Warhol - Edie Sedgwick Screen Test 01:32
Andy Warhol's TV 1979-87 01:16
Andy Warhol paints Debbie Harry on an Amiga Computer in 1985 30 seconds
Warhol Eats a Hamburger + Youtube
Andy Warhol Eats a Hamburger
Video Response 1: Andy Warhol Eats a Hamburger
Video Response 2: Andy Warhol Eats a Hamburger
Video Response 3: Andy Warhol Eats a Hamburger
Language of New Media, The Operations
Chapter 3, LNM pp. 116-175.
Einsenstein: Battleship Potempkin - Odessa Steps scene 1925
Rybczynski: Steps 1987
Lecture - Minimal / Conceptual Art
Joseph Kosuth: Art After Philosophy, 1969
Constituents of a Theory of the Media - Hans Magnus Enzensberger, NMR pp. 259-275
Requiem for the Media - Jean Baudrillard, NMR pp. 277-288
The Technology and the Society - Raymond Williams, NMR pp. 289-300
Project #1 is due
A computer takes on a human master of the board game Go, 3/9/16
Go Master Walloped by Emotionless Challenger, a Google Computer Program, 3/9/16
Lecture - Open Source / Free Culture / Net Neutrality
A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century - Donna Haraway, NMR pp. 515-542.
The GNU Manifesto - Richard Stallman, NMR pp. 543-550.
Richard Stallman: Introduction to Free Software and the Liberation of Cyberspace 13:38
GNU User Lib video, 2:53
Richard Stallman - Revolution OS - Birth Of GNU (1/5) 2:29
Net Neutrality Open Source Documentary, 10:26
Bruce Schneier: Why you should side with Apple, not the FBI, in the San Bernardino iPhone case Larry Lessig on laws that choke creativity 18:58
Mar 28 / Mar 30
Language of New Media, The Illusions, Chapter 4, LNM pp. 176-211.
Language of New Media, The Forms, Chapter 5, LNM pp. 212-285.
Language of New Media, What is Cinema?, Chapter 6, LNM pp. 286-333.
Announcement: Undergraduate Symposium 2016
What we learned from 5 million books, 14:09
Alex Roman: The Third & Seventh
Alex Roman: Compositing Breakdown (T&S)
TRON Original Movie Trailer
TRON: LEGACY Official Trailer
Jurassic Park Trailer
Star Wars: The Force Awakens Trailer (Official)
Lecture - Internet Art & Appropriation / Remix
Proposal for Project #2 is due.
Sent via email to both the Professor and the TA, by the beginning of class on Apr 2nd. The proposal should be no more than one page of written text, outlining the scope and goals of the project. Details will be discussed in class.
Marcin Jakubowski: Open-sourced blueprints for civilization 04:11
Everything is a Remix Part 1 07:18
Everything is a Remix Part 2 09:48
Everything is a Remix Part 3 11:17
RiP! A Remix Manifesto 87:00
Guest Lecture by Dr. Jyotsna Kapur
Apr 11 / Apr 13
The Work of Culture in the Age of Cybernetic Systems - Bill Nichols, NMR pp. 625-642.
Nomadic Power and Cultural Resistance - Critical Art Ensemble, NMR pp. 781-790.
From Computer Lib / Dream Machines - Theodor H. Nelson, NMR pp. 301-338
The World-Wide Web - Tim Berners-Lee, et. al., NMR pp. 791-798.
Responsive Environments - Myron Kruger, NMR pp. 377-390.
Will There by Condominiums in Data Space - Bill Viola, NMR pp. 463-470.
Tim Berners-Lee on the next Web 16:20
Tim Berners-Lee: The year open data went worldwide 05:34
Living in a computer simulation:
Nick Bostrum: ARE YOU LIVING IN A COMPUTER SIMULATION?
Wikipedia: Simulation hypothesis
Scientific America: Are We Living in a Computer Simulation?
Do we live in a computer simulation? UW researchers say idea can be tested
Bill Viola: Video Black - The Mortality of the Image, 1990
Wikipedia: Bill Viola
Bill Viola - An Ocean Without a Shore, 3:28
Bill Viola: Tristan's Ascension, 5:13
Bill Viola: Cameras are soul keepers, 28:09
Raspberry Pi - Network Demo
PdF 2011 | Eben Moglen: The alternate net we need, and how we can build it ourselves , 15:12
Video Games and Computer Holding Power - Sherry Turkle, NMR pp. 499-514.
The Six Elements and the Causal Relations Among Them &
Star Raiders: Dramatic Interaction in a Small World - Brenda Laurel, NMR pp. 563-573.
PDP-1 Running Spacewar!
Star Wars Battlefront Game Trailer (2015)
Dire Straits - Money For Nothing (1985)
Peter Gabriel - Sledgehammer (1986)
A-Ha - Take On Me (1985)
Project #2 is due
Presentations of Project #2
Presentations of Project #2
No Class Meeting
For today's class please choose a work of art that has been made in reaction to events of a particular historical time, (for example a work of Dadaist art made in reaction to the destruction caused by WWI).
Email the professor a paragraph or two about your chosen work, naming artist, date and the historical context in which it was made. Most importantly, describe why you selected this work.
Presentations of Project #2
University Final Exam time @ 10:15am-12:15pm
Final Exam has been canceled, and instead we will meet to discuss/critique Project #2.
Students will develop an outline of the themes and arguments of specific readings, as well as create several thought questions which will then be used to lead class discussion. Each student should schedule a meeting well in advance with the class TA, Julie Martin, so that she can give you feedback as you continue to develop this material. Email a PDF copy to the Professor and the TA as well as a printed copy due the day of the class discussion.
Project 1: New Media Critique / Analysis
How has the artist used interactivity and the user interface to enhance the viewer's experience? What is this piece about? What is the subject of this piece? How does this piece address the viewer? Does this work create the illusion of reality? How does it represent space and/or time? What ideas and concepts from the history of new media seem to engage this artist? Support your argument with specific reference to the ideas and concepts from our readings and discussions.
Write a minimum 1000 word, 4 page essay outlining your analysis.
Project 2: The Language of New Media
Select a chapter from 'The Language of New Media' by Lev Manovich. Prepare a research paper/web site (approx. 10 pages, with citations from at least 5 of our readings) or an art project based in reference to the chapter's themes. The final form of this project is open-ended. Potential themes include:
- How Media Became New
- Principles of New Media
- What New Media Is Not
- The Language of Cultural Interfaces
- The Screen and the User
- Menus, Filters, Plug-Ins
- Synthetic Realism and its Discontents
- The Synthetic Image and its Subject
- Illusion, Narrative, and Interactivity
- The Database
- Navigable Space
- Digital Cinema and the History of a Moving Image
- The New Language of Cinema
You will be graded on the originality of concept, delivery (execution of the concept) and the effort of your execution. You may use any form, methods or technologies: consult me if you have any questions regarding the appropriateness of your project. More details on this project will be discussed in class.
Students will give a presentation of this paper / project to the class.
Your final grade will be determined by the following:
- 15% Participation/Reading Discussions/Pop Quizzes
- 15% Project #1
- 30% Project #2
- 20% Midterm Exam
- 20% Final Exam
I may occasionally give a pop quiz on that weeks readings. There will also be a midterm and final examination. The final exam will not be cumulative. It will cover only the materials of the second half of the semester. The midterm and final exams will cover the required readings and material presented in the lectures / discussions. The examinations will be of a series of short essay questions.
Attendance to all classes is expected. You are allowed up to TWO unexcused absences. Unexcused absence beyond this threshold may result in failing this course.
All assignments are due at the beginning of class. Late assignments will not be accepted.
Building Emergency Response Protocols
University's Emergency Procedure Clause:
Southern Illinois University Carbondale is committed to providing a safe and healthy environment for study and work. Because some health and safety circumstances are beyond our control, we ask that you become familiar with the SIUC Emergency Response Plan and Building Emergency Response Team (BERT) program. Emergency response information is available on posters in buildings on campus, available on BERT's website at www.bert.siu.edu, Department of Public Safety's website www.dps.siu.edu (disaster drop down) and in the Emergency Response Guideline pamphlet. Know how to respond to each type of emergency.
Instructors will provide guidance and direction to students in the classroom in the event of an emergency affecting your location. It is important that you follow these instructions and stay with your instructor during an evacuation or sheltering emergency. The Building Emergency Response Team will provide assistance to your instructor in evacuating the building or sheltering within the facility.
Disabled Students: Instructors and students in the class will work together as a team to assist disabled students out of the building safely. Disabled students will stay with the instructor and communicate with the instructor what is the safest way to assist them.
Tornado: During the spring semester we have a Storm Drill. Pick up your belongings and your instructor will lead you to a safe area of the basement. No one will be allowed to stay upstairs. Stay away from windows. The drill should not last more than 10 minutes. You must stay with your instructor so he/she can take roll calls. Students need to be quiet in the basement as the BERT members are listening to emergency instructions on handheld radios and cannot hear well in the basement.
Fire: During the fall semester we have a Fire Drill. Pick up your belongings and your instructor will lead you to either the North or South parking lot depending on what part of the building your class is in. You must stay with your instructor so he/she can take roll calls. As soon as the building is all clear, you will be allowed to return to class. These drills are to train instructors and the Building Emergency Response Team to get everyone to a safe place during an emergency.
Bomb Threat: If someone calls in a bomb threat, class will be suspended and students will be asked to pick up their belongings, evacuate the building and leave the premises. Do not leave anything that is yours behind. We will not allow anyone back into the building until the police and bomb squad give us an all clear. DO NOT USE YOUR CELL PHONES. Some bombs are triggered by a cell phone signal.
Shooter in the Building: When it is safe to leave, move to a safe area far from the building where the shooter is located. If you have any information about the shooter, please contact the police after you return home. If you cannot leave, go into a room, lock the door, turn out the lights, and if possible, cover the glass on the door. Silence all cell phones after you call the police and inform them of your location. Be quiet and wait for the police to arrive. The police are looking for one or more shooters, and they have no way of knowing if the shooter is in the room with you. For that reason, when the police enter the room, no one should have anything in his/her hands and each person MUST raise his/her hands above his/her head.
Earthquake: In the event of an earthquake you are advised to take cover quickly under heavy furniture or near an interior wall, a corner, to avoid falling debris. Outside the building are trees and power lines and debris from the building itself that you will need to stay away from. In the building, large open areas like auditoriums are the most dangerous. Do not try to escape on a stairway or elevator. Do not hide under a stairway. We do not recommend that you stand in a doorway because the door could shut from the vibrations and crush your fingers trapping you there.
Women's Self-Defense Class: For interested female students and female faculty and staff, the SIU Public Safety Department sets up free self-defense classes. The SIU Public Safety Department will be teaching this class. They teach a free class in the fall and spring at the Rec Center. In the fall you would register at the Rec Center for the Women's Self-Defense Class or RAD (Rape Aggression Defense) as it is sometimes called. If you have questions about registering for the class, you can send an email to email@example.com. LaVon is the contact in the Dean's Office in the Communications building that will assist you to try to find the class you need.