Forty-eight daily auto-generated images reflect back our residual self-portraits through Yahoo! Image Search. The original source photos have been uploaded to the web by all of us, indexed by search engines, and manipulated and changed by this cruft algorithm. Disenthrall cruft images are of those who can speak and those who are silenced. Images of those who pray and those who fight like hell, and when they're hit, hit back 10 times harder. Images that divide us. Images of those who watch in disbelief.
CRUFT: Art from Digital Leftovers
My art practice produces code-based automated art, live art performance, drawing, painting and sculpture all of which examines the relentless flow of information on the Internet that quickly becomes digital leftovers to reveal a relationship in which we don't simply consume media, but are also consumed by it. I explore the Internet as source material to be appropriated, taken apart, juxtaposed, and recycled by writing computer code that is automated and runs on a 24/7 schedule producing a form of collage I call Cruft. The resulting digital artwork allows me to investigate broader issues of traditional concepts—such as originality, creativity, authorship and eternal value.
In response to the intense pace and constant change happening online, my art practice includes a slower and thoughtful method of applying traditional media such as charcoal, paint, wax and ink, to prints of selected Cruft images. These mixed-media images are created over longer periods of time resulting in a meditative process that subverts the goals of speed, spectacle and distraction, offering an opportunity for slower looking and deeper thinking compared to the crushing overload of an endless stream of automated Cruft.
The Internet has the ability to provide freedom by connecting us at great distances, democratizing the world's knowledge, and facilitating disruption and resistance to systems of power. It can also simultaneously provide control by restricting and regulating our thoughts and actions while propagating fear, divisiveness, surveillance and repression. My artwork delves into the very nature of the Internet, pulling at it’s strengths and exposing the flaws, producing what has been coined Post-Internet art, that by definition references the "network" that we all inhabit, and ultimately, it's effects on our society and culture.
My art is a personal inquiry into fundamental questions about our values, ideas, fears and dreams. I am interested in how the humanities and technology shape our individuality and communities, and how the arts and humanities can inspire us to ask who we are and what our lives might mean.